Review: Visitors: California UFO Wave (2004)
Written, produced, and edited by David Sereda
Runtime 75 minutes
The Movie
Something strange, it seems, was going on in the Venice and
Sonora, California regions in the late spring/early summer
months of 2004. Unexpectedly, in this relatively short amount of
time, several eyewitnesses have reported seeing several types of
UFO craft hovering in both the day and nighttime skies. And,
most importantly, they also caught it all on video tape.
UFOlogist and documentary filmmaker David Sereda, who would go
on to interview Dan Aykroyd in the 2005 'Unplugged' documentary,
collected this video evidence and interviewed the parties
involved. The end product being a sort of home movie about what
can only be explained as a wave of UFO sightings.
Sereda opens
Visitors: California UFO Wave on a very
personal note. Before getting into the thick of video footage
and analysis, he gives a brief introduction about the importance
of UFOlogy. Zoomed in close on his face, Sereda reasons that the
intelligences behind UFOs--which can pull off such amazing feats
as abrupt stops, right-angle turns, and sudden acceleration--are
obviously light-years ahead of us in terms of technology. I
don't quite see the relevance of this to the subject matter of
the rest of the film, but he goes on to link UFOs to the USA's
desire for air superiority. If Russia or China were able to get
even a fraction of the kind of power demonstrated by UFOs, he
argues, they could wipe us out in a day. Frankly, I would have
accepted if he just said that UFOs interest him and he wanted to
investigate the Venice and Sonora sightings further; but I
reckon the national security angle works just as well.
Driving this security point home even further, Sereda next
presents a scene of him calling the FAA and reporting that he
has video evidence of an unidentified flying object in the sky
over Venice, California. Provided by the witness, Patrick
Uskert, the tape shows what appears to be a spherical object
with some sort of rotation to it hovering effortlessly in the
air. In a bit of unintentional comedy, it was entertaining to
watch Sereda try to convince the FAA official that he wasn't
making it all up. Unfortunately he couldn't play the full audio
of their conversation due to accordance with conversation
recording laws. But I can only assume that the guy on the other
end of the line was less than thrilled to have to deal with
Sereda.
From here,
Visitors splits up into 2 segments, the Venice
sighting and the multiple Sonora sightings.
First, the Venice sighting. For anyone who tries to keep up on
the area of UFOlogy, you've probably seen this video clip
before. It's not very long, but pretty clearly shows a spherical
and obviously metallic object suspended in the sky. It's harder
to see, but there also appears to be some sort of spinning
motion to either the craft itself or, as Sereda thinks, some
kind of field around it.
The video's provider, Patrick Uskert, takes us on a sort of
video tour of the street corner where he originally shot the
video. There's also some useless (and shaky) camera work during
these scenes of Uskert's house and pets. Not quite sure why
Sereda decided to keep that stuff in the finished product, but I
guess you really can't go wrong with throwing in some footage of
a cat and dog into your documentary. But to test the FAA's
explanation that what he captured on film was in fact a balloon,
Uskert and a friend purchase a couple helium-filled Mylar
balloons from a nearby store and let them loose. The first, an
appropriately shaped flying saucer balloon, looked nothing like
his original UFO footage. Likewise, although somewhat more
similar in appearance, a simple spherical balloon they let go
moved in a much different manor than the unidentified craft.
Also, most tellingly that what he has on film is not a balloon,
in all of that test footage, the balloon's shape and even
decoration can be clearly made out--with the UFO, however, it
has a sort of blurriness to it that I think gives credence to
Sereda's theory that it is utilizing some sort phase-shifting
technology.
I'm not going to say that I think that's the definite
explanation (or even that I understand what means to shift
between phases of matter), but I think that you really can't
rule anything out at this point.
Now for the second and most focused on segment, the Sonora
sightings. Witnessed by Mark Olson, D.M. over several months,
recorded on film is a series of UFO encounters that include
everything from cylindrical craft to fast moving orbs, and even
the very first daylight footage of a triangular UFO.
Truly, the story of Mark Olson is nothing short of fascinating.
For some reason, Olson has been able to witness and record an
abnormally high amount of UFO activity, all seemingly by
accident and while standing on his back porch. As someone who
has never even seen a single UFO (or even anything could be
remotely described as such), I must say that I'm a bit jealous.
But the footage Olson captured is indeed pretty amazing. To
explain his great fortune in witnessing all of these UFOs,
Sereda and Olson present the idea that perhaps alien visitation
and monitoring is not a new thing in Olson's family. He goes on
to show that he as well as his mother and brother have
mysterious burn scars that perhaps were the result of alien
abduction. Olson also states that he gets the feeling that these
UFOs were watching him just as closely as he was watching them.
I personally felt that perhaps Olson's religious background and
new-age beliefs may have had something to do with it. That maybe
there was some kind of spiritualist aspect to his sightings.
Although Sereda doesn't echo this directly, he does reveal to
Olson a series of photos of Virgin Mary apparitions with
possible UFO connections. The two then go on to discuss how
perhaps UFOs and their alien inhabitants may have helped shape
mankind from the beginning. It was a very interesting discussion
for those inclined to believe in such theories.
To bring
Visitors to a close, Sereda ends with some
comments about what kind of technology these beings could be
using to traverse the stars with such ease. Just as with the
opening comments about air superiority however, this scene felt
similarly out of place. It was good info, to be sure, but as far
as conclusions go, it didn't really do anything for me.
The DVD
With sufficiently professional looking box, disc, and menu art,
Visitors definitely has the look and feel of a quality DVD
release. But that said, audio and video quality is, at times,
undesirable. As is usually the case with UFO documentaries
focused on actual video evidence, much of the film's quality is
reliant on often unreliable home video footage and amateur
camera work. But, unfortunately, the lack of video refinement
doesn't stop there. Save for the opening and closing scenes of
Sereda talking directly into the camera, the rest of the film is
presented with video captured from lesser quality (and often
hand-held) cameras. The finished effect is what feels like
watching a home movie. I wouldn't say that this is necessarily a
bad thing, as it does give it a sort of down to earth,
investigative feel, but I will say that the occasionally
dizzying motion is less than entertaining.
In fact, I was surprised at just how raw Visitors feels.
With the above mentioned unstable camera work, as well as more
than a few outright bloopers and outtakes left in or poorly
edited, I think this movie could have used a few more passes
through the post-production process.
However, I was pleased to no end to see that, included in the
special features section of the disc, the standalone video
footage of both the Venice and Sonora sightings were available
to watch. This is a definite plus and should be included in
every documentary of this type. Unfortunately, this is as far as
the special features go.
Final Thoughts
Although it shares a similar up close and personal and indie
feel to Sereda's Dan Aykroyd Unplugged doc, Visitors
is ultimately a collection of excellent UFO footage nestled
between a very unrefined movie. But really, I can't stress
enough just how great the UFO video presented in this film is.
If for nothing else, to have access to the footage in the
special features section is enough reason to pick this one up.
Ratings:
Information: 9
Editing: 5
Audio/Video: 6
Special Features: 8
Overall (not an average):
7.8
~Khyron, 2007